Finding the right recording studio
Over the last few months you have written and rehearsed about 45 minutes of good
quality music. It's enough material to now make a CD or demo, but you only have
about a grand in your bank account . Below are just some of the things a good
recording studio should provide. For a thousand dollars, you should be able to
get at least 30 hours or recording time at $30 an hour..
THE STUDIO -
Everything must be recorded in a hi-quality studio environment; complete with
sound proof room & an engineer who is fully qualified to mic, record all musical
events and performances in a proper manner. Your music must be recorded
adequately before it's even considered by a professional mixer and subsequent mastering
engineer. If the music was not recorded properly than it may present artificial
limitations on what the next 2 engineers can do to it. Bottom Line - It all starts
here.
HOW
NOT TO LOSE THE SHIRT
-
So your songs are written, fully rehearsed and now
it's on to getting all of them recorded. How do you go about choosing a studio
to record them in? Unless you have a considerable budget many top tiered
pro-studios may be out of the question for most independent artists. But there
is good news. There are thousands upon thousands of smaller studios that given a
qualified recording engineer can pretty much deliver anything a pro studio can,
absent the hot tub, 10,000 couches, a luxury suites. Remember you are in the
driving seat, and if you do some homework you can find a great studio for a
great price. Below are just few things to consider when looking for a
recording studio.
THE ENGINEER
- The most
important link in the chain. Look for credentials to see what other acts have
been recorded by the studio engineers. Listen to their work, ultimately hearing
is believing. A good engineer can get great results with average gear. A poor
engineer may deliver average or even substandard results even with the greatest
gear available. If possible, look for a studio with engineers who are
well-versed in the style of music you’re recording. Your mileage may vary but
you may not get your desired result if you pick a studio known for producing
extreme metal to record your ambient songs so matching the engineer to your
style is a good place to start.
THE FACILITY - Make sure the studio
space fits your needs. If you’re a full band and plan to track some or part of
your songs by playing live together to get the feel and spontaneity of your
performances then make sure the studio can accommodate that. On the other hand,
if you’re a small group or solo artist and plan on building songs piece by piece
a small project studio might be all you need. Above all, the facility should
make you comfortable. You’ll be at your best when relaxed versus working in a
space that makes you tense or nervous.
THE GEAR - It’s
not the end-all-be-all but a good, experienced engineer using quality gear will
deliver quality results. A good engineer with good gear is going to get you
where you want to go. Look for studios that do a lot of work in your style or
genre. Consider extras like drums, amplifiers, pianos, guitars that you can use
to compliment your own gear. Are you a huge fan of analog? Then consider a
studio that offers recording to tape or hybrid studios that can track to tape
but mix and edit in the digital domain. In general, good sounds are achieved
with proper mic choice and placement and quality mic preamps to capture the
signal. Quality studios will have a good selection of preamps and microphones
and the skill to use them. Digital recording offers other options by way of
plugins (software versions of hardware gear like synthesizers, FX processors,
etc) and good quality plugins can give you the sound of more expensive outboard
gear without the associated costs. Some studios favor a balance of hardware
gear and plugins but the most important aspect is the ability to get results
from the gear so always listen to examples of their work and make sure you’re
happy with it.
THE PRICE
- Always remember you're in the driving seat. Shop around and get the best rate
available. Experience counts but you have to pay for it., but the reality is
most studio owners realize most independent artists aren't made of money anyway,
so don't accept any rate higher than $30 an hour. Great facilities with great
engineers mean more cost to you but a higher probability of getting the results
you’re after. Project studios are more limited in their facility space but
might be all you require to get your songs recorded. Ask about package deals
where you can get x number of songs for a fixed price. Whichever way you go,
make sure that you’re well-prepared before you enter the studio. Common budget
killers are poorly maintained gear (fix that rattle in your amp or the squeaky
bass drum pedal) and uncertainty. Know your songs and be rehearsed otherwise
you end up paying studio time for rehearsal or gear maintenance. As I mentioned
earlier for $1,000 you should be able to get about 30 hours of quality recording
time. If you feel that is not enough time then get back to rehearsing. If you
split $1,000 3,4 0r 5 ways between all the band members that shouldn't be as
hard.
OTHER
-
A few other things to consider. Will the studio
allow you to bring in your own experienced engineer to cut costs from
using the house engineer? Do they provide editing and mastering services along
with the recording portion? What about mixing? Often a new pair of ears can
bring objectivity to your project and may be just what it needs to get that
desired result. Find out if the studio has a mix engineer you can have work on
your finished recording.
Ask other bands where the recorded at - Put the feelers out and ask 3
or 4 popular local bands where they recorded their projects at. Ask about price,
location, the qualifications of the engineer, and the overall experience.
Final Thoughts
- Choose studios that suit your specific needs, make sure it’s a place you’ll be
comfortable in, listen to results they’ve gotten with other clients and consider
your budget. Also ask other local bands where they recorded their projects at,
what budget they were quoted, and how their overall experience was. The studio
should help you achieve your musical goals, not hinder you. Keep in mind that
you’ll always get better results if you plan carefully and are well-prepared
before you start paying for time

